Friday, March 16, 2012


"Our curiosity about the changing world we live in provokes us to look hard and deep for those plays that take us to places we have never been and look at the world through eyes that are not our own.”

-Sam Woodhouse, Artistic Director, SD REP

It is with that philosophy that San Diego REP has approached its ambitious 37th season, which showcases theatrical events that are about the quest of Americans to become their best selves, both individually and together. Full of music, dance, storytelling and spectacle, the REP’s 2012-2013 season includes the following seven extraordinary productions:

“Zoot Suit”

By Luis Valdez

Directed by Kirsten Brandt

Choreography by Javier Velasco

Musical Direction by Bill Doyle

July 14 – Aug. 12, 2012

San Diego REP is proud to open it’s 37th season with a brand new production of the most significant work of Latino drama in American theatre. “Zoot Suit” will be produced through the same partnership between San Diego REP and San Diego School of Creative and Performing Arts that made “Hairspray” (2010) and “The Who’s TOMMY” (2011) mega-hits on the Lyceum Stage.

It’s Los Angeles, Calif., the years 1942 to 1943. The war in the Pacific is in full gear, American big band music has young people at home dancing up a storm and the Zoot Suit is the uniform of choice for Chicano gangs on the streets of Los Angeles. One August morning a young Chicano boy is found bloody and beaten by the side of a road near a county reservoir. His death leads to the indictment of a local Chicano gang and the infamous Sleepy Lagoon Murder Trial, a kangaroo court fanned by media hysteria. When the verdict is announced the Zoot Suit riots begin, and the mythical mystical figure of El Pachuco is born.

Playwright Luis Valdez is America’s greatest Latino playwright. “Zoot Suit” is his masterpiece – a muscular mix of historical fact and agitprop fiction. A live orchestra will be cookin’ center stage playing a banquet of smoking hot Latin songs with dances staged by award-winning choreographer Javier Velasco. Filled with swagger and swing, “Zoot Suit” is a not-to-be missed American classic.

(L-R): Vaughn Armstrong, Dave Crossland, and Jim Mooney in the REP's 2012 workshop of "A Hammer, A Bell, and A Song to Sing." Photo by Daren Scott.

“A Hammer, A Bell, and A Song to Sing”

World Premiere Production

Written by Todd Salovey

with Vaughn Armstrong, Dave Crossland and Jim Mooney

Directed by Todd Salovey

Musical Direction and Arrangements by Bruno Louchouarn

Nov./Dec. 2012

Back by popular demand is the production that had San Diego singing in three-part harmony and provoked standing ovations at every one of its workshop production performances. This fall, San Diego REP will present an expanded and fully developed production of last season’s runaway hit.

From the American Revolution to the Occupy movement, music has served as a powerful agent of change in American history. The immortal folk song hails: “A change is gonna come.” The gospel classic calls out: “Let it shine, let it shine, let it shine!” The civil rights anthem demands: “Keep your eyes on the prize. Hold on.” Inspired by the work of Pete Seeger, “A Hammer, A Bell, and A Song to Sing” celebrates this history in song, story, and spoken word with more than 25 selections from multiple artists.

The original cast, folk recording artist Dave Crossland, “Star Trek’s” Vaughn Armstrong, and San Diego favorite Jim Mooney, will return and be joined by an additional stellar singer/musician to once again lead an entire theatre in song.

With its memorable visuals from American history, provocative wisdom from great thinkers of change, and joyous songs, this is theatre that reminds us not only that change is possible, but that right here and now, there are important things to do!

Reduced Shakespeare Company® in

“The Ultimate Christmas Show (abridged)”

Written and directed by Reed Martin and Austin Tichenor

Dec. 2012

After a seven year hiatus, a holiday production returns to San Diego REPertory Theatre. Christmas will never be the same once you share the holiday with the inspired lunacy of the masters of condensing the classics – the Reduced Shakespeare Company. Since 1981, the company has delighted audiences throughout North America and England with their reduced versions of “The Complete Works of Shakespeare,” the Bible, “All the Great Books,” “The History of America,” and even the “World of Sports.”

Now these brilliant clowns will take us on an irreverent, but heartwarming trip through the holidays guaranteed to step on more than a few sacred cows and mistel-toes. Once you enter St. Everybody’s Non–Denominational Universalist Church to participate in the annual Multicultural Interfaith Holiday Variety Show and Christmas Pageant you will learn how Santa saved Christmas, sing the ultimate reduced Christmas Carol, celebrate Hanukkah, Kwanzaa, and Saturnalia, and gasp at the shocking history of some of our best-loved Christmas traditions.

Regardless of your religious persuasion, the Reduced Shakespeare Company promises a good time gift-wrapped in a package of song, parody, an elf ballet, anachronistic dance fever disco moves, and delightfully twisted holiday cheer.

Playwright Bruce Norris. Courtesy photo.

“Clybourne Park”

By Bruce Norris

Directed by Sam Woodhouse

Jan./Feb. 2013

Winner of the 2011 Pulitzer Prize and Olivier Award for Best Play, “Clybourne Park” is an unforgettable new story about race, class, and real estate in America. Jokes fly and hidden agendas unfold in a tale told without good guys or bad guys, just real people with real concerns about the future of their community.

Act one is set in 1959 in the dream home of the Younger family in Lorraine Hansberry's "A Raisin in the Sun," where a white couple ignites controversy when they sell their bungalow to the area's first black family. Act two takes place in the same house fifty years later as a white couple who want to buy and demolish the house pose a threat to the balance of the neighborhood.

“Clybourne Park” has been called by critics and audiences both “shockingly entertaining” and “appallingly funny.” It promises to be one of the feistiest and funniest evenings of American theatre in years.

“The Mountaintop”

By Katori Hall

Mar. 2013

West Coast Premiere

Rev. Martin Luther King, Jr. said “I may not get there with you, but I want you to know that we as a people will get to the Promised Land.” King, who lived every day in the face of death, was assassinated on April 4, 1968 while standing on the balcony of the Lorraine Motel in Memphis, TN.

Thirty-year-old playwright Katori Hall’s audacious drama dares to imagine what happened to Dr. King on the final night of his life. After delivering his inspiring “I’ve Been to the Mountaintop” speech to a local church congregation, Dr. King retires to room 306 in the motel and orders coffee from room service. A maid arrives with the coffee. Camae looks and talks like a maid, but as the night moves forward and a storm begins to rage outside, King and the audience discover she is so much more. When Camae reveals herself the walls of the motel fly away, launching King and the audience into a fantastical and spiritual mystery tour of American history.

This imaginative and soul stirring drama premiered in London in 2009 to great acclaim, winning the Olivier Award for Best New Play. Samuel Jackson and Angela Bassett starred in the Broadway production in 2011. REP audiences will be the first to experience this astonishing play in the intimacy of the Lyceum Space, where all seats are within 25 feet of the stage!

Trumpet virtuoso Gilbert Castellanos. Courtesy photo.

“Federal Jazz Project”

Conceived and written by Richard Montoya

Music composed and curated by Gilbert Castellanos

Directed by Sam Woodhouse

April/May 2013

World Premiere Production

Jazz, like history, can never be silenced.

Born at Balboa Naval Hospital, Richard Montoya is one of California’s premier contemporary playwrights and a co-founder of the ensemble troupe Culture Clash, a favorite with REP audiences. San Diegan Gilbert Castellanos is a trumpet virtuoso, recognized as a new American master by Downbeat Magazine. Inspired by the weekly jazz sessions Castellanos has hosted for 15 years in downtown San Diego warehouses and clubs, Montoya conceived a brand new fusion of live jazz, spoken word, dance, song and story that celebrates the landscape of San Diego from 1959 to the present.

Traveling through time, the project will weave legends, myth, and testimony from the rich history of San Diego and Tijuana told thru the medium of jazz and the musicians who have made music and history on both sides of the border. Montoya, an expert storyteller, will be joined onstage by a company of actors and dancers, as well as a first-class jazz quintet led by Castellanos.

Artist Herbie Hancock said “Jazz in not exclusive. The spirit of jazz is the spirit of inclusion.” So “Federal Jazz Project” will invite special guest musicians from the community and the military to sit-in with the band, including classical guitar, tenor sax, and even improvised tap percussion.

Count on this world premiere to feature extraordinary music and unforgettable, untold stories of the musicians who have made our city such a fascinating place to call home.

A New American Play (TBA)

Our country’s playwrights are especially active and creative in 2012. At press time we are in final negotiations for the rights to a provocative and very funny new American play to complete our 2012-2013 season of seven extraordinary entertainments.

To learn more about San Diego REPertory Theatre and to purchase season tickets, visit You can also join them on Facebook ( and follow them on Twitter (@SanDiegoREP).

No comments:

Post a Comment