“Les
Misérables” is (still) epic
storytelling at its finest:
Cameron
Mackintosh’s spectacular and stirring new 25th Anniversary touring
production proves that some musicals only get better with age
By Donnie Matsuda
The Company of "Les Mis." Photo courtesy of Deen van Meer. |
Well,
fear not. With the new 25th
Anniversary production of Les Misérables, which recently stormed
through San Diego from August 28-Sept 2, both devoted fans and newbies alike
will be spellbound by this astonishingly powerful, brilliantly re-imagined
production. While the direction, musical arrangements,
and technical elements are fresh and new, the heart of the musical – a
gripping, emotional tale of redemption, love, and hope told through one of the
most poignant and magnificent scores in all of musical theatre history -
remains intact. And not only does this
spectacular new staging more clearly illuminate the emotional core of the
musical, but it also features a first rate cast of glorious singers who handle
the sweeping score and complex scenic shifts with ease.
Based
on Victor Hugo’s classic 1862 novel, Les
Misérables focuses on the
life of Jean Valjean (the thrilling dramatic tenor of Peter Lockyear) as he
serves a nineteen year prison sentence for stealing a loaf of bread. Valjean decides to break parole and turn his
life around, leading a life of morality and compassion, inspired by his
new-found faith in God. He soon
encounters a factory-worker-cum-prostitute Fantine (the stunning mezzo-soprano of
Betsy Morgan) who dies of consumption and asks Valjean to look after her child
Cosette (an earnest and strong-voiced Lauren Wiley).
Meanwhile,
Cosette’s childhood enemy, Éponine (a tomboyish Briana Carlson-Goodman), tries
to escape the roustabout lifestyle provided by her bawdy innkeeper parents (a
devilishly delightful Timothy Gulan and Shawna M. Hamic as M. and Mme.
Thénardier, respectively) and secretly yearns for the love of handsome student revolutionary
Marius (an ardent Max Quinlan), who is not-so-secretly in love with
Cosette. On one occasion, this tragic
love triangle is given an incredibly poignant staging, with Cosette combing her
hair on the second floor terrace, Marius climbing over a massive iron gate to
gain entrance to her home, and Éponine trapped on the outside of the wall,
watching in despair and disappointment. There
is so much symbolism here (the gate representing the division of Marius’ love, the
levels corresponding to each characters’ social strata, etc.) and – like most of
the scenes in this meticulously re-vamped version – it all plays out with equal
parts gravitas and grace.
Even
the smaller roles in this staging don’t go unnoticed. As the inspector who relentlessly chases
after Valjean, Javert (the beautifully voiced baritone Andrew Varela) not only
gets to showcase some incredibly show-stopping solos – all of which bring the
house down before the final notes are sung – but his death scene is probably
one of the most creatively imagined and brilliantly staged this reviewer has
ever seen. Who could imagine that a jump
off a bridge could be so dazzling and real!?
And the rest of the cast, which includes a passionate Jason Forbach as
Enjolras, an adorable Joshua Colley as Gavroche, and an impeccably-voiced
25-member ensemble, provides incredibly strong support.
Directors
Laurence Connor and James Powell (who re-conceived the original staging by
Trevor Nunn and John Caird) should be proud of their flawless vision that
keeps the poignancy and thrill of the piece at an all time high throughout the
musical’s nearly three hour run time. It
is all underscored with some new orchestrations by Christopher Jahnke, Stephen
Metcalfe, and Stephen Brooker who give the original orchestrations by John
Cameron a little more breathing room.
And every last note is played to perfection by a large and lush 14-piece orchestra under
the expert baton of conductor Kevin Stites.
How wonderful (and how rare) it is to hear a full, live orchestra tackle this
sweeping Claude-Michel Schönberg score!
And
last but not least, Matt Kinley deserves special mention for his awe-inspiring
set designs which are handsomely modeled after paintings by Victor Hugo. Not only are they impressive in size and
scale, but they also are seamlessly integrated into a number of stunning
projections that add dimension and movement when the time is right. Add to that some spectacular costumes by
Andreane Neofitou and some deftly theatrical lighting by Paule Constable and
you have a thrilling technical treat that dazzles the eye from prologue to
final curtain, a feat not often seen in these recession-racked times.
So,
whether young or old, “Les Mis” junkie or not, the new 25th
Anniversary production of Les Misérables is a monumental new
staging that is sure to be loved and admired by audiences across America. It not only pays homage to the original: it takes
all that is right about the original (which remains the the third longest running Broadway production of all time) and makes the storytelling more vivid, the orchestrations more lavish, and the technical wizardry even more impressive. Indeed, Les Misérables has returned ... and it is stronger than ever.
Things to know before you go: Les
Misérables
presented by Broadway San Diego played at The San Diego Civic Theatre at 3rd
and B Street from August 28 - September 2, 2012. Running time is 3 hours with a 20 minute
intermission. Ticket prices vary. For more information and to purchase tickets,
visit TicketMaster.com, call (888) 937-8995, or visit www.BroadwaySD.com.
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